Saarinen designed Kresge Auditorium in tandem with his MIT Chapel; the two buildings are separated by a "green," referred to by students as the "Kresge Oval." The ensemble is recognized as one of the best examples of mid-Century modern architecture in the US.[by whom?]
Though unassuming by today's standards, the buildings were part of an attempt to define MIT's social cohesion. The Auditorium was where MIT students and faculty could gather for formal events, the Chapel was intended for marriages and memorials; the green that stretches between the two buildings, in the tradition of early-American urban planning, was to serve as the setting for civic events. Though the campus has grown around the buildings, the essential features of this idea are still easily legible, and the original intentions are reflected in the everyday actual usage of these spaces.
Saarinen designed Kresge Auditorium in tandem with his MIT Chapel; the two buildings are separated by a "green," referred to by students as the "Kresge Oval." The ensemble is recognized as one of the best examples of mid-Century modern architecture in the US.[by whom?]Though unassuming by today's standards, the buildings were part of an attempt to define MIT's social cohesion. The Auditorium was where MIT students and faculty could gather for formal events, the Chapel was intended for marriages and memorials; the green that stretches between the two buildings, in the tradition of early-American urban planning, was to serve as the setting for civic events. Though the campus has grown around the buildings, the essential features of this idea are still easily legible, and the original intentions are reflected in the everyday actual usage of these spaces.
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