Michelangelo is one of the greatest artists of all time whose name is synonymous with
the word ‘masterpiece.’ The ‘Creation of Adam’ fresco on the Sistine Chapel ceiling is
acknowledged as one of the world’s most famous art treasures.1
The ‘Creation of Adam’
section of Michelangelo's frescoes is the fourth in the series of panels depicting episodes
from the Book of Genesis.2
The fresco illustrates the Genesis Biblical story in which God the
Father breathes life into the first man, Adam.
This article will argue that Michelangelo’s ‘Creation of Adam’ fresco ranks among
his greatest works offering an ideal vehicle for reflection on theological and aesthetic
principles. Moreover, that reflecting on works of art such as the ‘Creation of Adam’ fresco
assists aesthetic analysis and theological thought. Consideration of Michelangelo’s artwork
demonstrates how his works stem from deep religious convictions. Indeed, how