What ensues is the kind of entertaining uplift Hollywood does best, its dramatic elements leavened by frequent moments of comedy (mostly at the hands of Leigh Anne's precocious youngest son, played by Jae Head) and stirring sports sequences. If viewers may experience a twinge of misgiving about the issues of race and class that are elided in "The Blind Side," they can't help but be enormously entertained and moved by its irresistible story. Especially in the film's soaring, triumphant final moments, viewers get the sense that this isn't a story about race or redemption or the complexities of class and culture. It's a story about the authentic, compassionate response to vulnerability and need. It's a story about family.