As a consequence of this, however, each link derives its meaning not so much from the specific rule that determines it, but from the entire order of which the rule itself is a part. Each link is intrinsically a member of a chain or fabric of links which conducts a reproducible theme. In this context, many specific instances or elements can be compared with each other as variations of a single pattern. For example, a simple polarization of authority pervades the whole order of an organization and can be found as a redundant thematic focus in many segments of it . A rational principle of justice may prevail in the entire structure while governing differentially correct associations between particular performances and rewards. The varieties of demeanors that are appropriate to a particular status within the system may be perceived as variations of a more general pattern. We are suggesting the possibility of a principle of discipline that derives from the formal style of the rational scheme and which works against centrifugal tendencies and heterogeneity. The resulting coherence will be in evidence as outwardly proper conduct and appearance. One would then ask how the sensibility of esthetic appreciation is summoned for direction, information and control in various concrete situations . The dominant consideration underlying this construction would not be found in the fields of means-ends relations but in an allpervadingsense of piety (i.e., in accordance with Burke’s definition of the term, a sure-footed conviction of ‘what properly goes with what’). The question whether the syntactic composition of the formal scheme is the leading metaphor for the interpretation of the composition of actual performances and relations is obviously difficult to investigate. A tentative approach may be in the investigation of ties and performances that appeal to bureaucrats as incongruous or in bad taste, and the study of those observed proprieties and tolerated licenses that are restricted to ‘on the job’ circumstances. In further development the problem could lead to experimental studies . For example, the features of the stylistically normal could be studied by having subjects perform tasks that are not related or even contrary to their routine activities.