Surrealist cinema is a modernist approach to film theory, criticism, and production with origins in Paris in the 1920s. Related to Dada cinema, Surrealist cinema is characterised by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery. The first Surrealist film was The Seashell and the Clergyman from 1928, directed by Germaine Dulac from a screenplay by Antonin Artaud. Other films include Un Chien Andalou and L'Age d'Or by Luis Buñuel and Salvador Dalí; Buñuel went on to direct many more films, with varying degrees of Surrealist influence.