Countless analyses of the book Pride and Prejudice have been made and since cinema took over the world, critics and literary theoreticians began to compare the novel to its film adaptations. Each generation has its own adaptation and this thesis focuses on the latest one from 2005. In this work the best-known modes of adaptive tactics are described and examples used to demonstrate a "borrowing" mode of 2005 cinematic transfer. Also, major inaccuracies in depicting main characters, surroundings and fashion are highlighted. The main goal of this comparison is to prove the author's contemporary viewpoint to satisfy current taste of the audiences.