Prompted by a recent getaway of her own to Tahiti and Honolulu, Sui riffed on pop’s long-standing affair with island life, from the ’30s starlet Dorothy Lamour, to Elvis’s trinity of Hawaiian movies, to David Bailey’s shot of a bronzed, sun-soaked Marie Helvin. Even Jane Campion’s high-minded New Zealand period piece The Piano made the cut in the form of a little subtly placed Victoriana.?