To what extent film tourism in connection to Nollywood in Africa has created, is yet to be researched. Finally, one gap that exists within research into film tourists is the exclusion of the non-film tourist—so far research into film-induced tourism only accounts for those that engage in the physical travel to locations. However, valuable insights are yet missing with regard to the virtual experience of landscapes and sceneries on film and whether there is a different causal relationship between watching a film and travelling to a location—as Torchin (2002, p. 249) suggests that “taking back the ‘reality’ to enhance the virtual after the virtual has enhanced the reality” begs for a clarification to what extent travelling to a destination induces the watching of a film.