The work is more a genre painting of an everyday scene than a portrait, and the name of the sitter is not known. X-ray photography has revealed that the canvas originally featured a different head looking towards the viewer, which Fragonard painted over.[2][3][4] It is one in a series of quickly executed paintings by Fragonard featuring young girls, known as figures de fantaisie.[5]
The painting was not a completed academic work, and probably passed through the hands several collectors and dealers in France. It was owned by surgeon Théodore Tuffier, and came to the US before 1930, when it was in the collection of Alfred W. Erickson in New York, founder of the advertising agency McCann Erickson. It was inherited by his wife Anna Edith McCann Erickson in 1936, and following her death in 1961 it was bought by the National Gallery of Art.
The work is more a genre painting of an everyday scene than a portrait, and the name of the sitter is not known. X-ray photography has revealed that the canvas originally featured a different head looking towards the viewer, which Fragonard painted over.[2][3][4] It is one in a series of quickly executed paintings by Fragonard featuring young girls, known as figures de fantaisie.[5]The painting was not a completed academic work, and probably passed through the hands several collectors and dealers in France. It was owned by surgeon Théodore Tuffier, and came to the US before 1930, when it was in the collection of Alfred W. Erickson in New York, founder of the advertising agency McCann Erickson. It was inherited by his wife Anna Edith McCann Erickson in 1936, and following her death in 1961 it was bought by the National Gallery of Art.
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