It’s a revolution in an age when designers signed their creations with their own name or “griffe”. In 1923, noted illustrator, decorator and costumier Paul Iribe captured the round movement of the 1907 photograph, stylizing the voluminous dresses and suggesting mother and daughter caught in a circular dance.
Later reworked by Armand Albert Rateau pour the round Arpège perfume bottle, this emblem placed above the inscription “Jeanne Lanvin” became the ultimate illustration of Jeanne’s love for her daughter.