faculty. “When I started we were still
animating with pencil and paper. Back in
1987, my first job was on ‘Who Framed Roger
Rabbit?’ working as an in-betweener, which
involved putting the in-between drawings
between the animator’s main drawings.
“Nowadays computers give you this for
free. The process has been automated,
meaning there are huge efficiencies with
digital animation, and almost all major
commercial work done now is created
digitally, one way or another. Saying this,
computers give you nothing for free – you will
start with a blank canvas or a blank screen.”