In Acting Class
Groups may be formed within the class.
Sexual tensions might result in love affairs and relationship forming.
And after class, members of the class might go out to do activities together, to express the tensions that form within the class. Envy, jealousy and hatred may even form, within an acting class.
In Spring 2015 Aran started looking for musicians and dancers to play in his upcoming performance in Rome. This quest – combined with the examination of interpersonal relationships—can be considered the departure point of Multicolored Blue. Aran has often described the nature of his work as intrinsically performative: his screenplays have been compared to open learning systems, in which the stories are never spelled out, always open, inviting interpretation based on projection and social common denominators. Invested in the process and in its modus operandi, Aran’s interest lies in the exploration of potential readings that in turn produce tension between truth and truism: “The infinite possibilities of producing meaning through the interplay of sign and signifier—I address this aspect of language through repetition, reorganization and quotation.”
In Acting ClassGroups may be formed within the class.Sexual tensions might result in love affairs and relationship forming.And after class, members of the class might go out to do activities together, to express the tensions that form within the class. Envy, jealousy and hatred may even form, within an acting class.In Spring 2015 Aran started looking for musicians and dancers to play in his upcoming performance in Rome. This quest – combined with the examination of interpersonal relationships—can be considered the departure point of Multicolored Blue. Aran has often described the nature of his work as intrinsically performative: his screenplays have been compared to open learning systems, in which the stories are never spelled out, always open, inviting interpretation based on projection and social common denominators. Invested in the process and in its modus operandi, Aran’s interest lies in the exploration of potential readings that in turn produce tension between truth and truism: “The infinite possibilities of producing meaning through the interplay of sign and signifier—I address this aspect of language through repetition, reorganization and quotation.”
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