‘The mind can go in a thousand directions,
but on this beautiful path, I walk in peace.’
-Thich Nhat Hanh
This is the fruit obtained from observing self practice whilst immersed in one’s internal dialogue. In the duration taken on this journey, concentration is key. It is a ‘repetition’ of constant and consistent willful actions in time that weaves a pathway arriving to cognizance.
Movement and motion may at times create indistinct shapes, just like a singer once sang: ‘The more you stay the same, The more they seem to change’
– Corinne Bailey Rae. but with repetition in motion it does seem almost as if one is still, with clarity,
and as such, shapes become more distinct. Saturated with serenity, my mind is focused yet lost in contemplation when I work with clay. In this fluid state, I learn, as clay reveals its character, what it needs and what I can contrive.
These works are attained from being able to somehow accept and comprehend clay. And as the project carried forth, awareness was acknowledged:
an awareness of ‘Clay and humans are very similar’.
Both are ever changing, so uncontrollable and ever requiring constant attention. With this said, it is still a journey to define attachment, since both in time are always in a state of flux.
As I witnessed it, I have come to realize the only certainty of life is that ‘What Exists Will Decay’. Nothing remains, nothing is permanent. And only if this truth is accepted, then I shall walk in peace…
Aor Sutthiprapha, 2013.
‘The mind can go in a thousand directions,
but on this beautiful path, I walk in peace.’
-Thich Nhat Hanh
This is the fruit obtained from observing self practice whilst immersed in one’s internal dialogue. In the duration taken on this journey, concentration is key. It is a ‘repetition’ of constant and consistent willful actions in time that weaves a pathway arriving to cognizance.
Movement and motion may at times create indistinct shapes, just like a singer once sang: ‘The more you stay the same, The more they seem to change’
– Corinne Bailey Rae. but with repetition in motion it does seem almost as if one is still, with clarity,
and as such, shapes become more distinct. Saturated with serenity, my mind is focused yet lost in contemplation when I work with clay. In this fluid state, I learn, as clay reveals its character, what it needs and what I can contrive.
These works are attained from being able to somehow accept and comprehend clay. And as the project carried forth, awareness was acknowledged:
an awareness of ‘Clay and humans are very similar’.
Both are ever changing, so uncontrollable and ever requiring constant attention. With this said, it is still a journey to define attachment, since both in time are always in a state of flux.
As I witnessed it, I have come to realize the only certainty of life is that ‘What Exists Will Decay’. Nothing remains, nothing is permanent. And only if this truth is accepted, then I shall walk in peace…
Aor Sutthiprapha, 2013.
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