Though much of Inside Llewyn Davis has classical editing, the filmmakers shot many scenes with continuous master shots, notably the musical performances, which were often filmed without interruption. Lillian notes that with the Coens, “a lot of the coverage happens within the master. The masters tend to evolve into something elaborate.” There are a few fast camera moves motivated by the wayward Ulysses. Lillian cites a 100' dolly move on a New York street that follows Davis as he tries to catch the cat. Fortunately, says Lillian, dolly grip Rick Marroquin is a “fast marathon runner!”