Yet if Mosaic has a real superpower, it’s in artist Khary Randolph, whose angular characters have an animated, energetic vibe that will definitely carry Mosaic far. Randolph is at his best when his characters are in motion, and Thorne’s script bookends nicely in that regard, particularly the way that Randolph shows Morris maneuvering during a big game. While Mosaic as a dark-energy-infused Inhuman isn’t the most exciting of designs, the concept does let Randolph play around with a variety of other character designs, as he has to make each of Morris’s hosts have their own unique vibe. His costume choices are particularly interesting, and small character moments - like Morris stealing a kiss from one of his host’s friends - is a gorgeous-looking image, even if the narrative specifics might be a little on the shady side. Colorist Emilio Lopez, meanwhile, is the perfect complement to Randolph’s linework, with such a beautiful sense of energy and depth to the mix - his uses of blues and purples as an accent reminds me a bit of Laura Martin, but his sense of balance on a page is all his own, making Mosaic punch far above its weight class just from the art alone.