Congress also intended the definition of “public” to be expansive.129 In the House Report, Congress gave several different scenarios of when a transmission is public, including “whenever the potential recipients of the transmission represent a limited segment of the public.”130 The legislative history of the 1976 Copyright Act shows Congress’s intentions to incorporate broader meanings of the rights originally outlined in the 1909 Act and the desire to have the 1976 Act anticipate future technological changes.131 Despite this congressional intent, public performance cases under the 1976 Act arguably continue under the Fortnightly and Teleprompter view of broadcasters’ limited rights.132