This statement of the architect, as usual of hers, brought out the question if the concept of de-constructed fluidity matched with the identity of a “static” city as Rome, and with its classical heritage. The response of critics and public has been positive. Especially in this context, in the relation with the existing fabrics, the curved smooth walls dialogue with the neo-classical symmetrical facades. The new organism includes in its developing the front- side building, by clean and blind surfaces at the side, thus declaring the feasibility and the need of coexistence. The museum is well inserted in the urban block situation, taking from it its guidelines, and opening its cut-end wings as panoramic viewpoints.