2) Seeing possibilities
The second step is about seeing possibilities. Which individual dialogues are interesting enough to invest in? Where are the surprising combinations and interesting market potential? This not only asks more in terms of deepening the experience of the creative consumer, but also of the network itself. Developers of creative tourism (for example policy makers or local tourist offices) need to know the business of the creative core and acknowledge new initiatives and trends. The perspective should not be top-down, but from the core itself.