The boards painted under the Hafsid period (during the thirteenth century) offers a floral decor consists of white and blue arches entwined with lobed green. The latest, dated the seventeenth and eighteenth centuries (mostly dating from the time of the Muradid Beys), are distinguished by an epigraphic decoration consists of long black and red texts on olive green background to those painted from 1618 to 1619, under the reign of Murad I Bey (1613-1631), while those back to the eighteenth century have inscriptions in white naskhi script on an orange background.[76]