One of the best-known images from the Sistine Chapel ceiling is Michelangelo’s 'Creation of
Adam' in which God stretches out his finger to bestow Adam with life. This paper analyses
Michelangelo’s work observing how deeply held religious convictions provide catalysis for
theological reflection. Reflection on religious artwork assists the development of analytical
skills and comprehension of the Christian faith. This is realized through the engagement of
artistic creations within a theological and aesthetic framework. Accordingly, analysis
enhances an appreciation for the role of art in the study of theology and the broader aspects of
knowledge and learning, particularly the conduit between art and religion.