In The Host and The Cloud, a film work, here are the same rules, or lack of them. Constant symbols, touch-points and patterns arise again and again: a coronation ceremony where the players sub in and out, taking turns at being king, or catwalk models parading in empty foyers. As in the hypnotic film works of Jesper Just, characters seem less to be autonomous individuals than interchangeable carriers of dialogue and actions. The film is disrupted every so often by the appearance of Human (2011-2013), the iconic dog-as-artwork who was the star of Untilled. The dog is a girl. Her spine is a tight coil high on her back, like a row of hammers inside a grand piano. The pink paint is fading from her foreleg. Even for a Podenco Ibicenco (her breed), she is remarkably thin.
In The Host and The Cloud, a film work, here are the same rules, or lack of them. Constant symbols, touch-points and patterns arise again and again: a coronation ceremony where the players sub in and out, taking turns at being king, or catwalk models parading in empty foyers. As in the hypnotic film works of Jesper Just, characters seem less to be autonomous individuals than interchangeable carriers of dialogue and actions. The film is disrupted every so often by the appearance of Human (2011-2013), the iconic dog-as-artwork who was the star of Untilled. The dog is a girl. Her spine is a tight coil high on her back, like a row of hammers inside a grand piano. The pink paint is fading from her foreleg. Even for a Podenco Ibicenco (her breed), she is remarkably thin.
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