As a secular composer, he was soon neglected, but his sacred works continued to be performed for many years, and his book maintained its hold over several generations of composers. Then, in the middle of the nineteenth century, Ludwig Ritter von Köchel, Mozart's cataloguer, became interested in Fux, and produced a biography and catalogue of works. This reawakened interest to some extent in the old court composer, and eventually some of his works were reprinted in the Austrian Denkmaler series; Fux began to emerge from the shadows as a fine composer in his own right, and not a mere pedagogue. He was indeed the greatest master of the Austrian Baroque, in music.
As a secular composer, he was soon neglected, but his sacred works continued to be performed for many years, and his book maintained its hold over several generations of composers. Then, in the middle of the nineteenth century, Ludwig Ritter von Köchel, Mozart's cataloguer, became interested in Fux, and produced a biography and catalogue of works. This reawakened interest to some extent in the old court composer, and eventually some of his works were reprinted in the Austrian Denkmaler series; Fux began to emerge from the shadows as a fine composer in his own right, and not a mere pedagogue. He was indeed the greatest master of the Austrian Baroque, in music.
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