My work evolves from an interest in the human form to portraiture to focusing on the origins, structures and cycles of organic life and its interrelationships.
The symbolic quality of the egg-as-creation has permeated art history, which in turn has influenced my work. In the Brera Madonna (1472) by Piero della Francesca, the Virgin is seated with child and a single egg hangs over the dome directly above the figures. In Bosch's Garden of Earthly Delights, (1480) his figures enter and emerge from egg-like shells, seeming to return to a womb-like existence. Brancusi, through the ovoid, expresses his symbolic approach to reality.