Oscar Enberg’s installations are like storyboards for a movie or television show where the tone, meaning and narrative information is conveyed only through physical objects: sets, décor and props. Where typically objects furnish narratives, in Enberg’s work storylines are compressed into sculptural forms. In recent work intoxication has functioned as a trope to explore fundamental instabilities in form, transmission and communication. Drunkenness, and the stories that tell it in specific examples from film, television and literature, provide a construction logic that plays out in a series of decompositions, warps and distortions.