Also impressive is the way that theme and image combines so seamlessly in this film too. One of the highlights is when Vanno meets Red and discovers someone who is willing to talk to him. And this is where Red Dog shows its colours. This dog as a character and an image represents the Australian spirit. That might sound like cornball but it’s actually represented quite subtly, without characters having to announce it verbally. We see it through the images of Red providing companionship, loyalty, and defence to the miners. And we remember these qualities to be traits people like to associate with Australians. This is such a hopeful and positive film. But contrasting the pleasantries is that the film is also deeply moving at times. It’s never sentimental or forced though. It comes through naturally because of the relaxed, colourful and charismatic performances, including Koko who makes for a handsome K9. And on another subtle note, there are several stories told that may or may not be true. But smartly, the film lets you make up your own mind. I love that sort of ambiguity in films. It’s a shame that the ending doesn’t have the same level of poise though. It could have ended just beautifully, with one single image, but it presses its point too far and too obviously. No matter though, because people are still going to find the rest of the film to be proud, funny and moving.