All of my site specific works are preceded– and followed– by a travel. In a certain way the travel is a part of the work: meandering in an unknown territory in search of the site and the form for a planned installation, I collect what lies on the edge of my path– stories, shapes, materials, local habits and occurrences– until I come to a place, where these collected impressions condense into an image.
I understand the site not as a background, but as a texture. The goal is that my work becomes a part of this texture– in the end, it is unclear if it has always been there or if it will change or disappear in the next second.