although in a wild archaic way (Helene’s second dream). In other cases, the primal scene is symbolized in dreams as the marriage of the person’s parents (or the “marriage” of the conductor and the group), even though the couple either cannot be clearly discerned (George’s first dream) or it is the friend’s father, not the patient’s father, who marries the patient’s mother (George’s second dream) or later as a marriage of his parents (or group and
conductor) within the group as symbolized by a carriage in a way that indicates to some extent the parents’ symbolic death (George’s third dream ).