The Andante in lied-form broadly displays
a
song by the [violin] soloist, at the borders of
lyricism. And the lyricism explodes with the G minor minuet, where the pathetic appears
with uncovered face, strangely akin to the minuet of the G minor
symphony, K.183, of
December 1773; like that, announcing the minuet of the second G minor
symphony, K.550,
of-July 1788.4