The Asmat are an ethnic group of Ne

The Asmat are an ethnic group of New Guinea, residing in the Papua province of Indonesia. The Asmat inhabit a region on the island's southwestern coast bordering the Arafura Sea, with lands totaling approximately 18,000 km² (7,336 mi²) and consisting of mangrove, tidal swamp, freshwater swamp, and lowland rainforest.

The land of Asmat is located both within and adjacent to Lorentz National Park and World Heritage Site, the largest protected area in the Asia-Pacific region. The total Asmat population is estimated to be around 70,000. The term "Asmat" is used to refer both to the people and the region they inhabit.

The Asmat have one of the most well-known woodcarving traditions in the Pacific, and their art is sought by collectors worldwide.
Culture and subsistence[edit]
The natural environment has been a major factor affecting the Asmat, as their culture and way of life are heavily dependent on the rich natural resources found in their forests, rivers, and seas. The Asmat mainly subsist on starch from the sago palm (Metroxylon sagu), crustaceans, fish, forest game, and other items gathered from their forests and waters.

Materials for canoes, dwellings, and woodcarvings are also all gathered locally, and thus their culture and biodiversity are intertwined. Due to the daily flooding which occurs in many parts of their land, Asmat dwellings have typically been built two or more meters above the ground, raised on wooden posts. In some inland regions, the Asmat have lived in tree houses, sometimes as high as 25 meters from the ground. The Asmat have traditionally placed great emphasis on the veneration of ancestors, particularly those who were accomplished warriors.

Asmat art, most noticeably elaborate, stylized wood carving, is designed to honour ancestors. Many Asmat artifacts have been collected by the world's museums, among the most notable of which are those found in the Michael C. Rockefeller Collection at the Metropolitan Museum of Art in New York City and the Tropenmuseum in Amsterdam. One of the most comprehensive collections of Asmat Art can be found in the American Museum of Asmat Art at the University of Saint Thomas in St. Paul, Minnesota.[1]

Traditionally, many Asmat men practiced polygyny by marrying more than one woman. In many cases, men were expected to marry a male relative's wife when that relative dies (otherwise the woman and her children would be left without a source of protection or economic support). Schneebaum reported[2] that many Asmat men had long-term ritual sexual/friendship relationships (mbai) with other men, although the prevalence of this practice has been disputed by others. In the mbai system, male partners were also known to share their wives in a practice called papitsj.[2] It is probable that missionary influence in the last several decades has reduced the occurrence of both mbai and papitsj.