The work Light Imprisoned in the Belly of the Whale (2002) is also part of this cycle of spatial and light installations. Out of wandering texts projected into a black basin of water, a golden staff writing in the water and the movement of the words around the space produce a myriad of new texts and images. Rebecca Horn opens up expanses of space, drawing her installations into dimensions that call for redefinition. These new works are accompanied by the vocal and instrumental compositions of Hayden Chisholm, pieces of music that combine gracefully with the installations in their subtlety, fragility and hint at the unspeakable.
What is unique and continuously new about the work of this artist is that each single installation is a step towards breaking down completely the boundaries of space and time, opening up crevices to a universe, the existence of which we can only sense.