NEW YORK, SEPTEMBER 11, 2015
by HAYLEY PHELAN
Since debuting his first collection for ICB earlier this year, Makoto Takada has carefully cultivated the seeds planted by his predecessor, Prabal Gurung. As he settles in for his third season as design director, Takada is revealing a bit more of his own playful sensibility while still filtering it through the brand’s working-woman narrative.
The starting point for the collection was the photography of Vivian Maier, a Chicago nanny who found success posthumously when undeveloped rolls of film, shot by her in the ’50s through the ’70s, were discovered and published. But instead of riffing on the retro styles seen in her work, Takada translated the inspiration into a witty exploration of “hidden talent
NEW YORK, SEPTEMBER 11, 2015by HAYLEY PHELANSince debuting his first collection for ICB earlier this year, Makoto Takada has carefully cultivated the seeds planted by his predecessor, Prabal Gurung. As he settles in for his third season as design director, Takada is revealing a bit more of his own playful sensibility while still filtering it through the brand’s working-woman narrative.The starting point for the collection was the photography of Vivian Maier, a Chicago nanny who found success posthumously when undeveloped rolls of film, shot by her in the ’50s through the ’70s, were discovered and published. But instead of riffing on the retro styles seen in her work, Takada translated the inspiration into a witty exploration of “hidden talent
การแปล กรุณารอสักครู่..