The blonde Assassin passes on—
Now the Frost is personified as an Assassin.
Is this contradictory to the idea that the Frost kills accidentally? Assassins kill on purpose; it's their job and stuff.
So maybe the poem is just relating the word "Assassin" with the fact that the Frost has a killer nature in general.
It's also interesting that the Frost is described as "blonde." We've never seen yellow frost—unless it's been peed on, and we're guessing that's not what Emily's going for.
It could be that she's just using blonde to describe how pale Frost is. Or she could be describing how Frost looks later in the morning just before it "passes on" or melts away.
Frost does look a bit "blonde" when the Sun shines on it, right?
We should also point out that this line is packed with assonance and consonance. Go to "Form and Meter" for the deets.
Lines 6-7
The Sun proceeds unmoved
To measure off another Day
Look, here's the Sun that was giving the Frost a dye job earlier. And by dye job we mean melting it away.
Now, it's like the cycle of killing has reached a whole new level. The Frost killed the Flower; the Sun killed the Frost.
It's really starting to look like this poem is all about cycles of life and death.
The Sun is shown as kind of a sociopath about the whole thing. All this slaughter is going on, and it doesn't shed one tear. (Oh well, its tears would instantly evaporate anyway.)
Instead, the Sun just does its job of "measur[ing] off another Day." What could this mean in terms of symbolism?
If the Frost killing the Flower is Death ending Life, could the uncaring Sun marking the hours represent Time? We're no Stephen Hawking, but we're pretty sure Time doesn't give two flips about what happens to any of us.
It's just Time.
It does its thing.
Before we go on, let's take a sec to appreciate the play on words Emily sneaks in here: "proceeds unmoved." Get it? The poem means "unmoved" as in "uncaring," but it could also literally mean something that hasn't been moved.
Here, though, "unmoved" is plunked down beside the word "proceeds" with means to move forward. So there's a subtle linguistic contradiction thrown in there. Ah wordplay. You never cease to be fun.
Line 8
For an Approving God.
Big surprise. Emily couldn't let the poem end without taking a parting shot at God, at the guy she loves to hate and hates to love.
First, we go though this semi-sad scene of a Flower being murdered by the Frost. Then we're told that the Sun doesn't care about it.
And now we're told that God is looking down on it all and patting himself on the back for a job well done. Yeah, there's a good chance that this poem is going after God with a satirical bite.
How could anybody with a heart look down on Death without thinking it's a little sad at least?
Okay, okay. To play Devil's advocate—well, maybe we should say God's advocate—we could also read the poem as not being an attack on God.
What if it's simply framing the cycle of life and death and the fact that God created it?
If a person loves God, then he or she has to love everything God created. Even if it seems cruel to us, we might as well get over it. Could the poem be saying that we all ought to be more like the flower and be happy as we die?