Here’s an image to be studied. Luciano Benetton, the hero of this list one might say, meets a photographer, Oliviero Toscano, in 1982 who shows him that a focus of message over product could be more effective. In that year, Toscano creates the above work.Vaguely Blakean in its Romanticism, two innocent young girls — one white, one black — embrace one another. But are they really as innocent as each other? There seems to be an imbalance. The girl on the left has the hair and cheeks of a cherub, of an angel. The other girl has her hair spiked up like devil horns and resists a smile. Although attempting a “uniting” effect, the ad fails in its racist shortcomings, separating colors into good and evil.