Scottish-born, London-based visual artist Robert Montgomery loves to write in fire. Montgomery’s epic statement pieces are constructed from gigantic letters attached to a wooden platform, ready to be torched. The words aflame, his ideas come alive, sparked by their prophetic tone. The poems appear like floating fortunes, hovering in bold typeface, spelling out tales of ghosts and temporality, horses and palaces, situations seeped in apprehensive futures. The destructions of comfort, foreshadowing the obliteration of power structures and the rise of beauty. The act of setting them on fire is also, whether intentional or not, a nod to the finite nature of art and installation work. It echoes the premise of destruction as the highest form of creation.