Juxtaposed directions create rhythmic complexities and contradictions. Figure 103 illustrates a chair at Caserta that contains violently contrasting curvilinear and rectangular rhythms. At another scale, the interior of Adler and Sullivan's Auditorium ( 104) has juxtapositions of swooping curves and diverse repetitions. In some anonymous Italian architecture ( 105 ) adjacent contrasting arcades contain contrapuntal rhythms.