At first glance, the text of Article 5 appears to be a new set of variations on a long familiar theme. The model of moral rights protection that it puts forward for audiovisual performances is largely derived from Article 5 of the WPPT and, through it, Article 6bis of the Berne Convention. As in both earlier versions, the Beijing agreement offers protection to the two basic moral rights of attribution and integrity. The new treaty also keeps the theory behind moral rights more or less intact. Moral rights for audiovisual performers continue to be