The building structure is like a chequer-board arrangements of simple, two and three-storey rectangular volumes and patios. The classrooms are located in the eastern part of the complex. Each two storey volume is ,inhabitated’ by children of a particular age, and each age group has its own enclosed courtyard. Two- and three-storey volumes on the western side contain rooms for administration and public use: laboratories, workshops, art studios, a sports hall, and a multipurposed hall, used daily as a refectory and easily transformed into a space for cultural events and meetings. The main entrance, accentuated by a sequence of timber portal frames, leads to the lobby, suffused with light coming through a glazed roof. At the opposite end of the central part of the school is a library with reading room, which is also open to the generic public.
The idea of exterior design was to reduce the scale and tie the complex into the extensive site. Each volume has different articulation of coloured panels – blue-grey, yellow-grey, red-grey – that echoes the „positive versus negative“ concept and simultaneously gives each structure its own identity. The
The building structure is like a chequer-board arrangements of simple, two and three-storey rectangular volumes and patios. The classrooms are located in the eastern part of the complex. Each two storey volume is ,inhabitated’ by children of a particular age, and each age group has its own enclosed courtyard. Two- and three-storey volumes on the western side contain rooms for administration and public use: laboratories, workshops, art studios, a sports hall, and a multipurposed hall, used daily as a refectory and easily transformed into a space for cultural events and meetings. The main entrance, accentuated by a sequence of timber portal frames, leads to the lobby, suffused with light coming through a glazed roof. At the opposite end of the central part of the school is a library with reading room, which is also open to the generic public.
The idea of exterior design was to reduce the scale and tie the complex into the extensive site. Each volume has different articulation of coloured panels – blue-grey, yellow-grey, red-grey – that echoes the „positive versus negative“ concept and simultaneously gives each structure its own identity. The
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