It was a play on contradiction at Mary Katrantzou this afternoon, a fact that could have been decoded from her runway; a maze of pyramid foam in Pepto-Bismol pink, equally spiky and hard edged, as it was soft and spongy. She said she was looking at the relationship between the horror vacui art movement and reactionary modernism, which translated to heritage opulence vs techy utopia – usually brought together in a single look.