And the film, thankfully, bears Yasmin's fingerprints all over it. She gave herself a lot to do, for managing such an ensemble was always going to be difficult. Despite that, the final product is often poignant, a piece of work that sadly is her last attempt to challenge the numerous assumptions about Malaysia and its race relations.
Ever since Sepet first brought her widespread attention in the region five years ago, what has shone through in the director's works has been an unflinching honesty and willingness to confront tough questions, something well-exemplified in this entertaining film.
In a sense, it is a fitting final chapter in Yasmin's oeuvre. As has been customary, her labour of love may be dismissed by some critics as lightweight and lacking. But truth be told, there is much more going on here than just a simple talent show.