Later that year, Millepied and L.A. Dance Project dancer Amanda Wells performed a 30-minute duet entitled "Framework" at the Museum of Contemporary Art. The dance collective’s first program featured a Millepied premiere, Moving Parts, with a score by Muhly and visual design by painter Christopher Wool. The program also includes a revival of Merce Cunningham’s 1964 Winterbranch, a movement exploration of falling bodies set to a mostly two-note score by La Monte Young, and William Forsythe’s Quintett, a 1993 study in loss and hope to avant-garde composer Gavin Bryar’s composition Jesus’ Blood Never Failed Me Yet.[18] Millepied's collaborators include Rodarte, Barbara Kruger, and Alex Israel, a contemporary California painter and video artist.