Bombay Cinema has traditionally received rather bad press: sadly few can argue against the fact that poor scripts and production values have often justified this negativity. However, exhibited in this film are many reasons why such harshness is equally unfair: Kaka in his prime with his characteristically elegant brilliance, Shammi ingeniously and equally characteristically affecting drama and comedy seemingly effortlessly, Hema and Aruna at their most beautiful and charming and lastly, the final occasion that musical geniuses Shankar-Jakishan collaborated interspersing the maturity and superlatively ingenious aestheticism of Rafi and Kishore to majestic effect. Few would argue that to label this ensemble anything but vintage would be tasteless and disrespectful as they embodied what Bombay cinema is at its best: timeless. Thank you my friend.
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