The transitional phases and changes in China since its opening up in the 1980’s, both physically and emotionally, have been the source of inspiration for Weng Peijun (Weng Fen) and his work. In his earlier series ‘Sitting on the Wall’ and ‘Bird’s Eye View’, Weng’s epic images focus on the upraising of urbanism in cities such as Haikou, Shanghai and Shenzhen.