European architectural developments were a major focus of the MoMA show organized by Barr, Hentry-Russell Hitchcock, and Philip Johnson in 1932. for the first time the American public and American architects were made aware of postwar advances in Germany, France, Holland, and Belgium, as works like Gerrit Rietveld's Schroeder House were displayed alongside early Wright designs such as the Winslow House, and the abstract rationalism of De Stijl appeared alongside the work of Mies, Gropius, and Le Corbusier