During the Dvaravati period (seventh through eleventh centuries), there were two factions of Buddhism practiced in the region that now encompasses present day Thailand, namely Mahayana and Theravada. The types of images constructed during this era reflects the distinction. Much of the basis for the Buddhist artwork of the Dvaravati period was influence from Buddhist art in India, including the Amaravati and Gupta styles, although there was also local and Khmer influence. Such images include the following classical archetypes:
Buddha in the Tribhanga (leaning) position with somewhat Indian facial features and no aureole. The right hand is typically free, while the left is depicted grasping the Buddha's robe.
Buddha in the Amaravati style with loosely folded legs and a lotus shaped aureole. Such statues have a continuous eyebrow, a flat nose and thick lips.
Square faced cleft chin Buddha with some Khmer features. Legs are typically fully folded. The Buddha sits on a lotus base.