Self-Help Materials. Self-help materials, including books, CDs, cassettes and other programs involving music are ubiquitous. For the present discussion, these self-help materials are defined as those that: are created by credentialed music therapists, are offered as an alternative to procedures implemented by a therapist, are completely self-administered, and are readily available without the consultation of a professional. Self-help materials can be classified according to the following categories: how-to improve, how to control, and how to cope
Some professionals may contend that these products provide a needed service to individuals who may not have the time and resources for or access to professional music therapy help, and who may be so motivated to use them. Theseproducts may indeed be beneficial. Obviously, members ofthe general public who interested in self-care have the need and right to have access to the most 'potentially helpful materials designed by persons who are competent and expert in so. As many of the self-help materials in the marketplace are of dubious and are designed by unqualified persons, music therapists may provide an ~lmportant service in this regard. At the same time, there are always risks when members ofthe general public these materials in inappropriate ways (and there are of course no controls over when the self-diagnosed problem does not necessitate the self-help procedure, a more serious problem exists (and the self-help materials can mask or lXlICerbate this problem), and when there are clear contraindications for their use. is not possible to guard against harmful effects, either minor or serious, from materials in spite of specific instructions and warnings (Koocher & Keith-!lPlegel, 1998). Before these self-help materials are offered to the public by music therapists, essential that they be adequately tested to demonstrate their efficacy. It is also p.sential that any claims for effectiveness made by the author(s) be both based on waHable data and cautious in their generalization. Disclaimers should be used appropriate. This may be difficult to accomplish, as the publishers of these ~aterials may indeed want to make unrealistic assertions to promote sales. therefore, the music therapist should make it a part of his or her contract with the lublisher to review and approve of all advertising and promotional materials egarding the book (Koocher & Keith-Spiegel, 1998). In summary, music therapists need to exercise a great deal of caution in their with the media; the reputation of the profession is always on the line. lierapists are ultimately responsible for how their names are used and for the ~onnation provided. The goals ofthe media and the goals of the music therapist his or her profession may likely be incompatible
วัสดุเฮ้ลพ์ เฮ้ลพ์วัสดุ หนังสือ ซีดี ฝ้า และโปรแกรมอื่น ๆ ที่เกี่ยวข้องกับเพลงได้อย่างง่ายดาย สำหรับการอภิปรายอยู่ เฮ้ลพ์วัสดุเหล่านี้ถูกกำหนดเป็นผู้ที่: สร้างขึ้น โดยนักบำบัดเพลง credentialed นำเสนอเป็นทางเลือกในขั้นตอนดำเนินการ โดยนักบำบัดโรค ปกครองตนเองอย่างสมบูรณ์ และพร้อมไม่ มีที่ปรึกษามืออาชีพ เฮ้ลพ์วัสดุสามารถแบ่งตามประเภทดังต่อไปนี้: ปรับปรุงวิธี วิธีการควบคุม และวิธีการรับมือSome professionals may contend that these products provide a needed service to individuals who may not have the time and resources for or access to professional music therapy help, and who may be so motivated to use them. Theseproducts may indeed be beneficial. Obviously, members ofthe general public who interested in self-care have the need and right to have access to the most 'potentially helpful materials designed by persons who are competent and expert in so. As many of the self-help materials in the marketplace are of dubious and are designed by unqualified persons, music therapists may provide an ~lmportant service in this regard. At the same time, there are always risks when members ofthe general public these materials in inappropriate ways (and there are of course no controls over when the self-diagnosed problem does not necessitate the self-help procedure, a more serious problem exists (and the self-help materials can mask or lXlICerbate this problem), and when there are clear contraindications for their use. is not possible to guard against harmful effects, either minor or serious, from materials in spite of specific instructions and warnings (Koocher & Keith-!lPlegel, 1998). Before these self-help materials are offered to the public by music therapists, essential that they be adequately tested to demonstrate their efficacy. It is also p.sential that any claims for effectiveness made by the author(s) be both based on waHable data and cautious in their generalization. Disclaimers should be used appropriate. This may be difficult to accomplish, as the publishers of these ~aterials may indeed want to make unrealistic assertions to promote sales. therefore, the music therapist should make it a part of his or her contract with the lublisher to review and approve of all advertising and promotional materials egarding the book (Koocher & Keith-Spiegel, 1998). In summary, music therapists need to exercise a great deal of caution in their with the media; the reputation of the profession is always on the line. lierapists are ultimately responsible for how their names are used and for the ~onnation provided. The goals ofthe media and the goals of the music therapist his or her profession may likely be incompatible
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