Can you tell us a bit about you and your work?
Currently, I am living in Zagreb where I am teaching drawing at the Academy of Fine Arts. I started exhibiting works in 2003, and since then I have been active in Croatia and the rest of Europe. In my work I use drawing, printmaking, and sound, which often serve as complimentary parts to my installations or actions. In general, my work deals with the intimate process of creation, the authenticity of our imminent surroundings, and the way we perceive what we take to be a work of art. I strive to make an observer wonder about reality and the way in which they perceive it.
I got interested in this concept [during] my teens, as I came across the novel written by Michael Ende, The Neverending Story. For me, it was quite an unusual book. I liked how the writer used colored text, opposing the complementary color pair of red and green, each color representing reality or fantasy… I thought it brilliantly played illusion: a story where not everything is about the plot or boring multi-page technicalities detailing fabric and decor. Anyway, I liked its potential. I think the people who read the one-color-text version missed out a lot.
It is more fun when you look beyond the plot. So I am often stressing out the existence of other possibilities to figure out what something truly is in its essence. Once you remove the obvious you are left with something much more interesting.
Can you tell us a bit about you and your work?Currently, I am living in Zagreb where I am teaching drawing at the Academy of Fine Arts. I started exhibiting works in 2003, and since then I have been active in Croatia and the rest of Europe. In my work I use drawing, printmaking, and sound, which often serve as complimentary parts to my installations or actions. In general, my work deals with the intimate process of creation, the authenticity of our imminent surroundings, and the way we perceive what we take to be a work of art. I strive to make an observer wonder about reality and the way in which they perceive it.I got interested in this concept [during] my teens, as I came across the novel written by Michael Ende, The Neverending Story. For me, it was quite an unusual book. I liked how the writer used colored text, opposing the complementary color pair of red and green, each color representing reality or fantasy… I thought it brilliantly played illusion: a story where not everything is about the plot or boring multi-page technicalities detailing fabric and decor. Anyway, I liked its potential. I think the people who read the one-color-text version missed out a lot.It is more fun when you look beyond the plot. So I am often stressing out the existence of other possibilities to figure out what something truly is in its essence. Once you remove the obvious you are left with something much more interesting.
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