The reason that this film has been so well received, and makes such a statement about the modern action genre, is because it was directed by two former stuntmen and choreographers. Every action scene is expertly handled, shows realistic interplay between our protagonist, John Wick, and the squadrons of baddies he goes up against, and includes some unique sequences. The backstory lets us understand that Wick is more or less unstoppable, but because of his emotional directive he sometimes flounders. Wick is played as a very human character by Reeves, who has always worked well as a blank slate in his previous action stints. Here he's aggressive and numb most of the film, he's also grappling with the burden of grief, apparent in many quiet, introspective scenes. Because of the act inflicted on him, the audience is emotionally invested, and we want to see Wick win out that much more. The style of the film is also pretty impressive, dealing in precise cinematography, moody sets, and just the right sulky, morose music for the soundtrack. Even the plot is pretty well constructed, as Wick has to deal with several developments as the film winds along, and the main villain's motivations switch with each move Wick makes. The best way to describe this film is cool, in the sense that it's sophisticated and suave, unlike contemporary action films, that try mostly for huge stunts. "Wick" is much more understated and classy, in a way that easily correlates with the "James Bond" franchise.
Review By : Spencer S.