Wrapped in an aesthetic devoid of ornament, many of the works of Tadao Ando base their wealth in building the relationship with nature. In that sense, the Church on the water, is one of its most successful achievements which uses nature as an element involved in the design. In it, Ando succeeds in creating a microcosm in which combines a simple but masterful concepts on the profane and the sacred, the artificial and natural, and closed above the vacuum and infinity.
The most notable is that Ando has replaced the front wall of the temple, which usually have pictures of a certain divine religious significance, with a more vivid and eloquent representation of the Creator: nature itself. This will provide a live scene, multicolored and always changing, which runs from pallets sepias in autumn, glaucos shades of winter, spring flowers spots in the intense green in summer.
Wrapped in an aesthetic devoid of ornament, many of the works of Tadao Ando base their wealth in building the relationship with nature. In that sense, the Church on the water, is one of its most successful achievements which uses nature as an element involved in the design. In it, Ando succeeds in creating a microcosm in which combines a simple but masterful concepts on the profane and the sacred, the artificial and natural, and closed above the vacuum and infinity.
The most notable is that Ando has replaced the front wall of the temple, which usually have pictures of a certain divine religious significance, with a more vivid and eloquent representation of the Creator: nature itself. This will provide a live scene, multicolored and always changing, which runs from pallets sepias in autumn, glaucos shades of winter, spring flowers spots in the intense green in summer.
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