Similar points can be made for St. Theodore (shown here on the far left). He was also sculpted later and is more naturalistic. He was a Roman soldier who was converted to Christianity and became a saint. Here, he is interpreted as a Christian knight — the sculpture has accomplished a remarkable recreation of the chain mail of the Gothic crusaders. Thus, within the period of the Gothic style, see a progression towards naturalism in the conception of architectural sculpture. The full revival of sculptural naturalism will return in the Florentine Renaissance.