In the adjacent room the central object is “He”, a male counterpart to Denmark’s national symbol “The Little Mermaid”. “He” (2013) is positioned gazing out at the panoramic view of Hong Kong’s skyline through the gallery’s 17th floor window as if this figurative, poetic sculpture longs to be part of the busy city life happening outside. At the opposite end of the room is “Heritage” (2014), a judicial wig, also known as a peruke or periwig, a British colonial tradition still used in Hong Kong courthouses today. The wig is displayed on a stand, limp and emptied of its symbolic meaning when not worn by a judge; taken out of context, its old fashioned, odd design further pinpoints the ever-changing meaning of power symbols.